This painting entitled ‘Dwarf Stars’ created by the artist, Julian Brown, intrigues me. I am wondering if this is a colour study referring to the various types of dwarf stars. If I had not looked at the title, the painting would conjure up a landscape in my mind; of interlocking mountains with a sun at the top right. When I think of dwarf stars, I think about the black dwarf, which is when a star is finally burnt out and becomes a cold rock floating through space. In my pessimistic world, this painting symbolises the end of mankind, the end of earth, as without the sun, we can not survive…. But how can something so sweet and tasty as these paintings mean this………?
I thought I would add an image or two more of Julian Brown’s artwork. Of course you can see even more at his website:
He has just been selected for the Marmite Prize this year
“The imagery in my work is very heavily influenced by nostalgic visions of the 1980’s and the folk art from my mother Polish heritage. Both of these worlds have a handmade geometric quality that has a playful and primitive relevance to the world we now live in.”
The work has an obvious decorative quality. Knowing that he is influenced by Polish folk art, I decided to look at some examples online. The images that I came across, seemed to have a sense of innocence and cheeriness and were a celebration of all colours of the rainbow.
Vinculum is Latin for “bond”, which is the title of the above painting. This title completely changes how I view the work, from something flat in 2-D, it suddenly pops out and becomes an interlocking rope or bandage.
This painting entitled, ‘Buccaneers II’, is interesting. I see it as a herd of deer, probably because of the colours Brown has utilised and also the sweep of the brush strokes give the work a skittish energy; but is it in fact a historic account of a battle between Portuguese and Spanish ships? When I down loaded this particular image from his website, the image was documented as ‘kindling’ which again shifts the meaning of the work or adds another layer to my battle analogy.
I find the art works by Julian Brown are something to ponder upon. There is this obvious child-like aesthetic; an innocent and playful arrangement of shapes and colour, but then the titles just throw up some unanswered questions. I realise how much of my own history, and memories are projected onto the work and corrupt the most authentic interpretation, which is that of the artists. Or is this what it is all about? How fragments from childhood, traces of folklore and tradition, of artefacts and dialogue can be a flitting presence underpinning the work, but by the most delicate of threads; which of course might dance off again, when the physicality of liquidy and joyous paint take hold!