Focus: Frank Bowling
Tate Britain: Display
I visited Bloomberg New Contemporaries this christmas at the ICA. I quite liked Jackson Sprague’s crystacal and watercolour sculptures, which I presume is created from plaster and then coloured with watercolour. There was something satisfying about the surface, sort of smooth and milky, reminiscent of an abstracted vintage cooking utensil.
In the recorded video interview in the last room at the Tate show, Daido Moriyama said he prefers his work to be displayed in a book, as opposed to hung on the wall. When visiting The Photographer’s Gallery, earlier this year, there was a room devoted to Japanese photobooks. Here below is one of the many books that you could purchase at the Tate. It is interesting how he compiles the books, with no particular order and no particular beginning. You could open the book in the middle and flick back and forth and this would be ok.
There are already websites devoted to volcano art and volcanoes, but I thought I would start my own post about it. It began with these two images. I saw the top image at a gallery in Bilbao last year and spent some time drawing it.
Ky Anderson http://kyanderson.com
I also found this image by Ky Anderson.
I have made art inspired by explosions and volcanic eruptions.
.Here are some of the images I came across, such as from the Saturday Volcano Blog- which is a blog which seems to have stopped of late. Darn…
Well, I am going to add some more as I come across them. I am also compiling a cloud post too. Any additions I can add, let me know…….
Steven pippin was nominated for the 1999 Turner Prize at the Tate. Steve McQueen was the winner that year.
He began his talk by describing his initial struggle with photography, as there was no clear subject that offered a meaning to him; that held significance. He showed us a photo of the Eiffel Tower, in fog, which questioned the usual image of this tourist attraction. He described how photography was a way of copying world and it’s proliferation was in fact outpacing reality.
Whilst searching for his subject:
He converted a fridge and contents and a wardrobe and clothing into a pinhole image. The object itself became the machine to record the pictures. He also used a bathtub, harking back to his father using the bathroom at home as a darkroom. On his regular train journeys, he used the toilet as a camera, with bleach to fix the image and the flush as the water supply to help process the image.There would be a moment in a tunnel, where everything would be dark for a minute. Pippin experimented with this moment where he could load the paper. He also applied for a job at a Photo booth company called Photo me, but he did not get the job as a technician. People would also use the booth as a toilet. He also made the photobooth into a large pinhole and used it to take pictures of the outside world.
Steven Pippin explored the potential of a Laundromat and used the washing machines as cameras. The machine would take an image of other washing machines then process the image inside the drum. The washing machine had experienced both the process of creating and recording itself. Pippin also played with joining two fax machines together. The initial fax sends blank messages and the response – or nothingness is recorded on a sheet of paper. The nothingness produces marks and feedback. This information loop records the data of mistakes and errors.
He also created a series of photos that were made up of half analogue and half digital data. He made experiments where the camera would be imploding in on itself into a non-event or the camera destroying itself; setting fire and recording the process until it melted. He also used cameras and mirrors to capture a bullet going through camera as a type of self-portrait of the camera; at the moment of its destruction.
He has not worked out a way of how a digital camera can undermine itself, as he does not have the electronic knowledge of digital chip technology yet. Perhaps this is the next exploration for him in the future.